Exlibris Bookplate Etching Eduard Winkler 1884-1978 Convolute Lot Alps

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3 bookplates. 1) Bookplate days Sjogren. Two putti planting apple tree. [1919]. 95 x 70 mm. * Not with Gutenberg; Sparke 162. - Monogrammed in the print. - Small remnants of assembly on the back. 2) Ex-libris Ernesto L. Hirschler. Alpine landscape with fir trees. [1931]. 103 x 80 mm. * Gutenberg 46,848; Sparke 74A. - Monogrammed in the print. - Small remnants of assembly on the back. 3) Ex-libris Margrit Hinnen. Room with secretary and armchair in front of the window. OJ 98 x 76 mm. * Gutenberg 46,847; Save 73. - Small remnants of assembly on the back.
Winkler, Eduard (1884-1978):
[1919-1931]. Etchings.
Language: German
Order number: 12396
Comments: * Vollmer 5. - "The artist's imagination must have been so rich, especially in earlier years, that he was barely able to fit his many ideas into one picture composition and therefore banished them to the remarques [...]. But since Winkler is aware of the danger of too many artistic ideas, he has found an appealing solution: In the middle of the plate, he creates an ex-libris of moderate size, just right for use, and he frames this center of the picture with wonderful edge ideas. The owner of such a plate can have any number of prints made from the middle picture without remarques to stick in the book, but for art enjoyment and collectors, any number of the total plate can be made. "(Hans Laut, 1955, p. 149)
Keywords: Exlibris Ex Libris Bookplate Marque de possession
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(2021-07-06)
3 bookplates. 1) Bookplate days Sjogren. Two putti planting apple tree. [1919]. 95 x 70 mm. * Not with Gutenberg; Sparke 162. - Monogrammed in the print. - Small remnants of assembly on the back. 2) Ex-libris Ernesto L. Hirschler. Alpine landscape with fir trees. [1931]. 103 x 80 mm. * Gutenberg 46,848; Sparke 74A. - Monogrammed in the print. - Small remnants of assembly on the back. 3) Ex-libris Margrit Hinnen. Room with secretary and armchair in front of the window. OJ 98 x 76 mm. * Gutenberg 46,847; Save 73. - Small remnants of assembly on the back. Comments: * Vollmer 5. - "The artist's imagination must have been so rich, especially in earlier years, that he was barely able to fit his many ideas into one picture composition and therefore banished them to the remarques [...]. But since